Britain's What's On Event Guide
Kensington Symphony Orchestra with top clarinetist Michael Collins
Quyeen Elizabeth Hall, Southbank Centre, London SE1 8XX
Saturday 25 January
7.30pmTickets £16, £24, £30, £38
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About this Event
Kensington Symphony Orchestra with top clarinetist Michael Collins
Kensington Symphony Orchestra joins forces with Michael Collins for Magnus Lindberg’s Clarinet
Concerto (2001-02) at the Queen Elizabeth Hall on Saturday 25 January – the renowned soloist’s
first London performance of the work.
One of the Finnish composer’s most frequently performed pieces, the concerto comprises a single
movement divided into five sections. Restless but rhapsodic, its joyous evocation of nature has been described as “contemporary in language but sensuously easy on the ear”. Brimming with virtuosity, it is an ideal fit for Collins, acclaimed as “one of the best clarinettists walking the planet” by The Times.
Music by Ravel book-ends the programme, which opens with Rapsodie espagnole (1907-08), one
of the composer’s first major works for orchestra. Drawing on his Basque heritage, the colourful
four-movement piece moves from the stillness of night to Spanish dances and a dazzling fiesta.
Ravel described La valse (1919-20) – originally conceived as a ballet – as a depiction of waltzing
couples in an imperial court, initially seen through whirling clouds. Beginning with kaleidoscopic
fragments of melodies, this popular work builds inexorably to a tumultuous, thrilling finale.
Music director Russell Keable also leads the orchestra in a performance of Prokofiev’s Lieutenant
Kijé (1933-34). The composer viewed his first film score – accompanying a satire on Russian royalty
– as an opportunity to adopt a more accessible style, and the resulting five-movement suite is one
of his most popular works.
Described as “one of the very best amateur groups in the country” by Classical Music magazine,
KSO has been hailed by Classical Source for “putting on bold, adventurous programmes that few
of the ‘big five’ in London would either think of or get away with”.
Concerto (2001-02) at the Queen Elizabeth Hall on Saturday 25 January – the renowned soloist’s
first London performance of the work.
One of the Finnish composer’s most frequently performed pieces, the concerto comprises a single
movement divided into five sections. Restless but rhapsodic, its joyous evocation of nature has been described as “contemporary in language but sensuously easy on the ear”. Brimming with virtuosity, it is an ideal fit for Collins, acclaimed as “one of the best clarinettists walking the planet” by The Times.
Music by Ravel book-ends the programme, which opens with Rapsodie espagnole (1907-08), one
of the composer’s first major works for orchestra. Drawing on his Basque heritage, the colourful
four-movement piece moves from the stillness of night to Spanish dances and a dazzling fiesta.
Ravel described La valse (1919-20) – originally conceived as a ballet – as a depiction of waltzing
couples in an imperial court, initially seen through whirling clouds. Beginning with kaleidoscopic
fragments of melodies, this popular work builds inexorably to a tumultuous, thrilling finale.
Music director Russell Keable also leads the orchestra in a performance of Prokofiev’s Lieutenant
Kijé (1933-34). The composer viewed his first film score – accompanying a satire on Russian royalty
– as an opportunity to adopt a more accessible style, and the resulting five-movement suite is one
of his most popular works.
Described as “one of the very best amateur groups in the country” by Classical Music magazine,
KSO has been hailed by Classical Source for “putting on bold, adventurous programmes that few
of the ‘big five’ in London would either think of or get away with”.